This issue begins with a reassurance to the reader that writing about art can sometimes be "incomprehensible." It also features Anne Barclay Morgan's studio visit with Ursula von Rydingsvard, and reflects on the September 11th terrorist attack, a year later. In addition, David Moos analyzes, James Turrell's artwork, Susan Douglas and Tony Scherman discuss the materiality of painting, Gean Moreno breaks down the idea of an apocalypse, and U.S. and International cities are reviewed.
