ART PAPERS 34.03 - May/June 2010

ART PAPERS 34.03 - May/June 2010

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This summer issue explores the question: what is at stake in image making, while exploring the role of the artist as witness. Articles to note include Anthony E. Elm's assessment of Liam Gillick's recent retrospective, where he casts the artist as witness to institutional shortcomings; Thom Vink discussing various strategies he enlists to subvert viewer expectation; and Gean Moreno's interview with Laurence A. Rickels on the role of the ghost to the artist. Notable reviews include Jennie Klein's review of Shepard Fairey's André the Giant has a Posse, Felicia Feaster's review of Olaf Hajek's Masquerade, and Dinah Ryan's review of Amy Hauft's Counter Re-formation.