This issue reflects the pivotal historical moment happening in the Fall of 2016, with work from just before Castro's health and the Israel-Hezbollah conflict claimed front page status. Included in this issue are Pil and Galia Kollectiv's take on the ideological cooptation of contemporary Israeli art institutions and David Moos and Magda Gonzalez-Mora's email exchange on contemporary art's role as a beacon and Cuba's future. Notable reviews include George Howell's look at Adam Ross' "science fiction" paintings, Michael Friedländer's review of the exhibition Where are we going?, and Michelle Marie Roy's examination of Ylva Ogland's exhibition Loka/Ylva-85/Press Through.
