In this issue Jennie Klein writes about Video art investigating California's conflicted relationship with surveillance in her article In Search of the Golden California. In The Un-Painters, Arend Zwartjes follows the forging paths of four Southwest artists in a (mostly) post-paint world and Alix Ohlin investigates Janet Cardiff and the Pull of Film Noir in the article Something To Be Desired.
This issue features two studio visits: Miami's Beatriz Monteavaro and Los Angeles' Joe Biel.
