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In this issue articles on both performance art and public art. In Guillermo Gómez-Peña's article In Defense of Performance Art a foremost practitioner explains his métier. In Larry Harvey's Public Art at Burning Man, the event's founder discusses art's civic potential. Furthermore, Joel Weinstein researches the condition of Art Criticism in his article Critical Condition.
This issue also features a studio visit to Atlanta's Ruth Dusseault and a summer reading supplement with articles from Jerry Cullum and Paul Anderson.
